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Grammy Award-winning musician John Reischman has been a foundational mandolinist, composer, bandleader, and musical educator in bluegrass and North American roots and folk music since emerging from the vibrant “new acoustic” bluegrass music scene of the Bay Area in the 1980s. A member of the groundbreaking Tony Rice Unit, Reischman’s mastery of bluegrass, old-time, swing, and multiple Latin American musical styles, coupled with an Old Master’s sense of tone, taste, and musicality, has brought him a global reputation as one of the finest mandolinists of his era.

His latest CD, New Time & Old Acoustic on Corvus Records, blends a lifetime of musical influences into an engaging recording with some of today’s top acoustic players including flatpicking guitarists Molly Tuttle and Chris Eldridge, fiddler Alex Hargreaves, and bassist Todd Phillips. The 14-track album includes 12 new Reischman originals and a reinterpretation of his classic tune “Salt Spring.” New Time & Old Acoustic is the most mature, accomplished solo recording of Reischman’s storied career.

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A Note From Sam— The music that my father David Grisman and his close friend, Jerry Garcia, made in the early 90s (in the house that I grew up in) is not only some of the most timeless acoustic music ever recorded, it also triggers my oldest and fondest musical memories. What I find most inspiring about this material is the way their camaraderie and their love and joy for the music, simply oozes out of each recording. It is also impressive how deeply they get beneath their favorite songs—whether they are originals, covers or traditional/old time tunes—and how expertly that material was curated.

My goal in starting Sam Grisman Project is to build a platform for my friends and me to showcase our genuine passion and appreciation for the legacy of Dawg and Jerry’s music. By playing some of their beloved repertoire and sharing the original music that our own collective has to offer, we will also show the impact that this music has had on our own individual musical voices. Ultimately, there is nothing that makes me happier than playing great songs with my best friends and my hope is to share that happiness with audiences all over!”

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With her captivating voice and richly detailed songwriting, Sarah Jarosz has emerged as one of the most compelling musicians of her generation. A four-time Grammy Award-winner and ten-time nominee at the age of 30, the Texas native started singing as a young girl and became an accomplished multi-instrumentalist by her early teens. After releasing her full-length debut Song Up in Her Head at 18-years-old, she went on to deliver such critically lauded albums as Follow Me Down, Build Me Up From Bones, and Undercurrent, in addition to joining forces with Sara Watkins and Aoife O’Donovan to form the acclaimed folk trio I’m With Her. Her fifth studio album,World On The Ground, produced by John Leventhal, went on to win the Grammy award for Best Americana Album. In 2021 Jarosz released the Grammy-nominated Blue Heron Suite, a much-anticipated song cycle which she composed after being the recipient of the FreshGrass Composition Commission. She will continue to tour in 2022 in support of both releases.

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The top 3 contestants in each of the 5 instrument contests (banjo, mandolin, guitar, fiddle, dobro) compete on the main stage for cash and prizes. Learn more about the instrument contests

The preliminary rounds are held on Friday in the Wildflower Pavilion.

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The Slocan Ramblers (2020 IBMA Momentum Band of the Year Award Winner & 2019 Juno Award Nominee) are Canada’s bluegrass band to watch. Rooted in tradition, fearlessly creative and possessing a bold, dynamic sound, The Slocans have become a leading light of today’s acoustic music scene. With a reputation for energetic live shows, impeccable musicianship and an uncanny ability to convert anyone within earshot into a lifelong fan, The Slocans have been winning over audiences from Merlefest to RockyGrass and everywhere in between.

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Founded nearly two decades ago with the simple desire to play original and powerful bluegrass, this Chicago-bred quartet now finds themselves at the intersection of performance, diplomacy, and education.

Onstage, the group’s enthralling performances give audiences a sense of how much they love what they do. On record – including their latest offering, 2023’s Lead and Iron, released via Dark Shadow Recording – the band explores their collective life experiences through songwriting and intricate instrumentation. While bluegrass is the undeniable foundation of the Prowlers music, the band bends and squeezes the traditional form into a keenly developed sound all their own.

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Whether traveling to gigs on horseback or by tour bus, Americana mavens The Brothers Comatose forge their own path with raucous West Coast renderings of traditional bluegrass, country and rock ‘n’ roll music. The five-piece string band is anything but a traditional acoustic outfit with their fierce musicianship and rowdy, rock concert-like shows.

The Brothers Comatose is comprised of brothers Ben Morrison (guitar, vocals) and Alex Morrison (banjo, vocals), Steve Height (bass), Philip Brezina (violin), and Greg Fleischut (mandolin, vocals). When they’re not headlining The Fillmore for a sold-out show or appearing at Hardly Strictly Bluegrass Festival, the band is out on the road performing across America, Canada, Australia, and hosting their very own music festival, Comatopia, in the Sierra foothills.

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There was only one prize-winning teenager carrying stones big enough to say thanks, but no thanks to Roy Acuff. Only one son of Kentucky finding a light of inspiration from Bill Monroe and his Blue Grass Boys and catching a fire from Bob Marley and The Wailers. Only one progressive hippie allying with like-minded conspirators, rolling out the New Grass revolution, and then leaving the genre’s torch-bearing band behind as it reached its commercial peak. 

There is only one consensus pick of peers and predecessors, of the traditionalists, the rebels, and the next gen devotees. Music’s ultimate inside outsider. Or is it outside insider? There is only one Sam Bush.

“With this band I have now I am free to try anything. Looking back at the last 50 years of playing newgrass, with the elements of jazz improvisation and rock-&-roll, jamming, playing with New Grass Revival, Leon, and Emmylou; it’s a culmination of all of that,” says Bush. “I can unapologetically stand onstage and feel I’m representing those songs well.”

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Couldn’t we all use a dash of hope, a pinch of promise and a sprinkle of sunshine? The Solar Sisters are ready to bring just that to the stage for the traditional Sunday morning gospel set. The nebula of The Solar Sisters (or should we say “Soul” Sisters) formed when mandolinist, KC Groves (Uncle Earl), and banjo player, Kyra Holt (Sugar Moon), bonded over their love of hard-driving, harmony-laden traditional bluegrass. Fiddler Bevin Foley (Trout Steak Revival), bassist Erin Youngberg (FY5), and guitarist Amy Scher (Amy & Hailey) were quickly pulled into the orbit.

Two Runner is songwriter Paige Anderson and fiddle player Emilie Rose. The rising modern folk duo hailing from Northern California is becoming a force to be reckoned with. Strong songwriting and colorful vocal harmonies make way for pure musicianship on clawhammer banjo, flatpicking guitar, and Oldtime fiddle.

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Hailed as “the hottest band in the Wasatch” by the Intermountain Acoustic Music Association, Pixie and The Partygrass Boys is composed of lifelong professional musicians drawn together by a common love of bluegrass and skiing in the Wasatch. Featuring soulful, often harmonic vocals and solid strings and rhythm, this tight-knit crew was born out of the belly of a warm cabin after a long day on the slopes- drinking whiskey and singing into the night. With a high energy sound and a love for silly outfits, they travel the land spreading the gospel of whiskey, chickens, and fun for everyone.

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Born in Wheeling, West Virginia in 1954, Grammy winning singer songwriter and multi-instrumentalist Tim O’Brien grew up singing in church and in school. After seeing Doc Watson on TV, he became a lifelong devotee of old time and bluegrass music. Tim started touring nationally in 1978 with Colorado bluegrass band Hot Rize. His songs “Walk the Way the Wind Blows” and “Untold Stories” were bluegrass hits for Hot Rize, and country hits for Kathy Mattea. Soon more artists like Nickel Creek, Garth Brooks, and The Dixie Chicks covered his songs. Over the years, Tim has collaborated with his sister Mollie O’Brien, songwriter Darrell Scott, and noted old-time musician Dirk Powell, as well as with Steve Earle, Mark Knopfler, Dan Auerbach and Sturgill Simpson.Living in Nashville since 1996, O’Brien’s skills on guitar, mandolin, fiddle, and banjo make him an in-demand session player. The International Bluegrass Music Association awarded him song of the year in 2006 and named him best male vocalist in 1993 and 2006. He was inducted into the West Virginia Music Hall of Fame in 2013 and into the Colorado Music Hall of Fame in 2022.Notable O’Brien recordings include the bluegrass Dylan covers of “Red on Blonde”, the Celtic-Appalachian fusion of “The Crossing”, and the Grammy winning folk of “Fiddler’s Green”. His duet recording “Real Time” with Darrell Scott is a cult favorite, and he won a bluegrass Grammy as part of “The Earls of Leicester”.

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Throughout his 30+ year career, Dan Tyminski has left his mark in every corner of modern music. Tyminski’s voice famously accompanies George Clooney’s performance of the Stanley Brothers’ Classic song, “I’m A Man of Constant Sorrow,” in the film, Oh Brother, Where Art Thou and his vocal collaboration with Swedish DJ Avicii on the song “Hey, Brother” was a global smash, having been streamed over 1 billion times to date.

Dan has also contributed guitar and/or harmony to projects by Martina McBride, Reba McEntire, Brad Paisley, Dolly Parton, Willie Nelson, Kenny Chesney, LeAnn Rimes, Aaron Lewis and Rob Thomas, to name a few. In addition to his highly successful solo career, Dan Tyminski has played guitar and mandolin for Alison Krauss and Union Station since 1994. His unmatched instrumental skills and burnished, soulful tenor voice have been key components of the band.

Dan has been honored with 14 Grammy Awards, was named Male Vocalist of the Year by the International Bluegrass Music Association 4x and was recognized as 2004’s Male Vocalist of the Year by the Society for the Preservation of Bluegrass Music in America.

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