The Song School
The Song School
The Song School
We’ve begun announcing the 2026 Song School faculty! Watch for many more additions in the coming months…
The 2026 Song School Instructors
Bonnie Hayes
Bonnie Hayes is a songwriter, recording artist, musician and record producer. She has released 5 records as an artist, including a stint at Chrysalis Columbia and the early Slash/Warner’s record Good Clean Fun. Her songs have been recorded by Bonnie Raitt, Robert Cray, Bette Midler, Booker T & the MG’s, Adam Ant, David Crosby, Huey Lewis & the News and many others. Hayes also toured as a keyboardist/vocalist with Billy Idol and Belinda Carlisle world tours and has shared the stage with Bruce Springsteen, Stevie Ray Vaughn, Bonnie Raitt, Tower of Power, Don Was and countless others.
An experienced and adept producer and arranger, she has recorded her own demos as well as producing records for many indie artists and songwriters. Her most recent gig as chair of the songwriting department at the Berklee College of Music ended this year; she currently is building a youth songwriting program at the Blue Bear School in San Francisco, serving on several non-profit boards, and enjoying the California sunshine.
Phoebe Hunt
On the heels of 2021’s acclaimed “Shanti’s Shadow”, Phoebe Hunt is excited to release “Nothing Else Matters” in July of 2023 (Thirty Tigers). The album of solo fiddle and voice marks a departure for Hunt, whose previous projects have showcased her skill as a bandleader and collaborator. Yet it is also a joyful return to her foundations.
When the pandemic changed the world, Hunt, like all touring artists, was taken off the road. Feeling for the community of artists she had met over 15 years of touring, she realized that it would be beneficial for professional artists and music dabblers alike to experience community through dedication to the study of music.
She started a movement for people to “point their minds to practicing” during the lockdown. The result was 27 online courses serving over 200 students and offered 33 musicians gigs in 18 months.
She has also developed a program to help parents to Plant The Seeds of Music in their homes and communities called ukulele sprouts (ukulelesprouts.com).
John McCutcheon
“John McCutcheon is not only one of the best musicians in the USA, but also a great singer, songwriter, and song leader. And not just incidentally, he is committed to helping hard-working people everywhere to organize and push this world in a better direction.”
— Pete Seeger
No one remembers when the neighbors started calling the McCutcheons to complain about the loud singing from young John’s bedroom. It didn’t seem to do much good, though. For, after a shaky, lopsided battle between piano lessons and baseball (he was a mediocre pianist and an all-star catcher), he had “found his voice” thanks to a cheap mail-order guitar and a used book of chords.
“The most impressive instrumentalist I’ve ever heard.”
— Johnny Cash
From such inauspicious beginnings, John McCutcheon has emerged as one of our most respected and loved folksingers. As an instrumentalist, he is a master of a dozen different traditional instruments, most notably the rare and beautiful hammer dulcimer. His songwriting has been hailed by critics and singers around the globe. His thirty recordings have garnered every imaginable honor including seven Grammy nominations. He has produced over twenty albums of other artists, from traditional fiddlers to contemporary singer-songwriters to educational and documentary works. His books and instructional materials have introduced budding players to the joys of their own musicality. And his commitment to grassroots political organizations has put him on the front lines of many of the issues important to communities and workers.
Even before graduating summa cum laude from Minnesota’s St. John’s University, this Wisconsin native literally “headed for the hills,” forgoing a college lecture hall for the classroom of the eastern Kentucky coal camps, union halls, country churches, and square dance halls. His apprenticeship to many of the legendary figures of Appalachian music imbedded a love of not only home-made music, but a sense of community and rootedness. The result is music…whether traditional or from his huge catalog of original songs…with the profound mark of place, family, and strength. It also created a storytelling style that has been compared to Will Rogers and Garrison Keillor.
The Washington Post described John as folk music’s “Rustic Renaissance Man,” a moniker flawed only by its understatement. “Calling John McCutcheon a ‘folksinger’ is like saying Deion Sanders is just a football player…” (Dallas Morning News). Besides his usual circuit of major concert halls and theaters, John is equally at home in an elementary school auditorium, a festival stage or at a farm rally. He is a whirlwind of energy packing five lifetimes into one. In the past few years alone he has headlined over a dozen different festivals in North America (including repeated performances at the National Storytelling Festival), recorded an original composition for Virginia Public Television involving over 500 musicians, toured Australia for the sixth time, toured Chile in support of a women’s health initiative, appeared in a Woody Guthrie tribute concert in New York City, gave a featured concert at the Smithsonian Folklife Festival, taught performance art skills at a North Carolina college, given symphony pops concerts across America, served as President of the fastest-growing Local in the Musicians Union and performed a special concert at the National Baseball Hall of Fame. This is all in his “spare time.” His “real job,” he’s quick to point out, is father to two grown sons.
But it is in live performance that John feels most at home. It is what has brought his music into the lives and homes of one of the broadest audiences any folk musician has ever enjoyed. People of every generation and background seem to feel at home in a concert hall when John McCutcheon takes the stage, with what critics describe as “little feats of magic,” “breathtaking in their ease and grace…,” and “like a conversation with an illuminating old friend.”
Whether in print, on record, or on stage, few people communicate with the versatility, charm, wit or pure talent of John McCutcheon.
Pat Pattison
Pat Pattison is an author, clinician and Berklee Professor of Lyric Writing and Poetry whose students have composed for major artists and written number one songs. At Berklee, he developed the curriculum for the only songwriting major in the country. In addition to his four books, Songwriting Without Boundaries, Writing Better Lyrics, The Essential Guide to Lyric Form and Structure, and The Essential Guide to Rhyming, Pat has developed three online lyric writing courses, one on poetry, and one on creative writing available through BerkleeMusic.com.
He has filmed a series of lectures and masterclasses, available through Songwork.com and has written over 50 articles for various magazines and blogs. Pat continues to present songwriting clinics across the US, Canada, Australia, New Zealand and the UK. Several of his students have won Grammys, including John Mayer and Gillian Welch.
Steve Poltz
Some people start life with a plan. Not Steve Poltz. He opens himself up to the universe in a way most of us will never be loose enough to achieve, and the universe responds with a wink, a seemingly bottomless well of inspiration, and the talent to truly connect with an audience. While 2021 could have found him adrift, faced with a tour moratorium the likes of which he hadn’t experienced in decades, it opened a door — literally, his friend Oliver Wood of The Wood Brother’s door — to creating an exuberant, thoughtful batch of songs that celebrate life in all of its stages.
The resulting album is called Stardust & Satellites [Red House / Compass Records].
“I just make stuff up,” he exclaims, quipping, “it sounded good to say that.” Steve is the sort of prolific writer and collaborator who downplays what seems like a non-stop geyser of creativity. “I have no rhyme or reason for what I do. It’s all magic. I go by instinct. It just felt right, so I went with it.”
Paul Reisler
Paul Reisler is a composer, songwriter, recording artists, performer and teacher. He is the founder and artistic director of Kid Pan Alley, co-founder of Trapezoid, as well as his current bands, Paul Reisler & A Thousand Questions featuring Howard Levy, and Three Good Reasons. Over his almost 50-year career, he has performed in over 3,000 concerts, recorded close to three-dozen albums, co-written Aesop’s Fables for Orchestra and Narrator, music for theatre, dance and film, as well as the script and songs for two musicals—Bouncin’ and The Talented Clementine.
He’s written more songs than the Beatles, Bob Dylan, Joni Mitchell, and Stephen Foster combined—somewhere north of 3,500 compositions thanks in no small part to his army of 80,000 kid co-writers as well as his many adult collaborators. Artists including Sissy Spacek, Raul Malo, Darrell Scott, Cracker, Corey Harris, Jesse Winchester and many others have recorded his songs.
At this stage of his life, he’s committed to inspiring the creativity of others through his songwriting workshops as well as through Kid Pan Alley. A few of the places he’s taught include Rocky Mountain Song School (26 years), Utah Song School, New Song Academy, Swannanoa Gathering, Augusta Workshop, Hollyhock, Kerrville, NSAI, Berklee College of Music, and he will be co-founding a new annual Songschool in Italy in October.
Steve Seskin
Steve Seskin is a successful songwriter who has written seven number one songs, including Grammy-nominated “Grown Men Don’t Cry,” recorded by Tim McGraw, and “Don’t Laugh at Me,” winner of NSAI Song of the Year and Music Row Magazine Song of the Year in 1999 as recorded by Mark Wills. His other #1 hits are “No Doubt About It” and “For a Change,” both recorded by Neal McCoy, “No Man’s Land” and “If You’ve Got Love,” both recorded by John Michael Montgomery, and “Daddy’s Money,” recorded by Ricochet.
Other chart toppers include “I Think About You,” recorded by Collin Raye, and “All I Need To Know,” recorded by Kenny Chesney. The video for Raye’s “I Think About You” single was named the Academy of Country Music’s Video of the Year in 1997, and the song and video were also given an award by the Tennessee Task Force Against Domestic Violence.
In 2014, 2018 and 2020, Steve was nominated to the NSAI Hall of Fame. Recent recordings of his songs include “Pictures,” by John Michael Montgomery, “We Shook Hands,” by Tebey, and “I’ll Always Be There For You,” by Brian McComas, “This Too Shall Pass,” by Sinclair and “Standing Still”, “Proof”, “Lift You Up” and “Electricity” by Seth Glier.
While Steve is best known for writing hits, he is also a successful performer and recording artist. His 20th album, Some Sunsets, released in 2014, is filled with inspiring, hopeful songs, and features Steve and the talented Julia Sinclair. “Don’t Laugh at Me” was recorded by Peter, Paul and Mary and became the impetus for the Operation Respect/Don’t Laugh at Me project, a curriculum designed to teach tolerance in schools. This program has already been implemented in more than 20,000 schools across the country. Steve now enjoys performing at school assemblies in support of this program. The song is now available as a children’s book, Don’t Laugh At Me, which was featured on PBS’s Reading Rainbow in September 2002.
Ron Browning
Ron Browning is internationally known as the “Voice Coach to the Stars.” Alison Krauss, the most celebrated Grammy Award winner (27 wins), recently praised him in the New York Times, USA Today, BBC News, the Tennessean, and The Sun in London, where she called him “a genius” after he saved her from a debilitating case of dysphonia and brought her back into excellent voice where singing felt effortless.This restored the confidence needed to finish her Windy City album, which won her 2 Grammy nominations. She was then able to move on with her singing career.Ron accompanied Alison Krauss on the Red Carpet for the 60th Annual Grammy Awards in Madison Square Gardens.
Ron has been seen and heard on Entertainment Tonight, The Voice, Oprah Network, and BBC’s Simply Classics, to name a few.His clients include all levels of singers from beginners to award-winning celebrities in all genres of music.The National Association of Teachers of Singing has celebrated Ron in a lengthy tribute for “World Voice Day” in the Journal of Singing.He has had articles published by NATS, as well as The Voice Council in London, where he served as Artist in Residence two consecutive years.Other artists on his roster of clients include Wynonna, Amy Grant, Jamey Johnson, Patti LaBelle, John Hiatt, Lake Street Dive, Keb Mo, Carrie Underwood (Sound of Music Live NBC), Greta Van Fleet, Vanessa Carlton (Beautiful—the Carole King Musical in NYC), The Ace of Cups, Dailey and Vincent, RaeLynn, Chris Lane, Langhorne Slim, Steve Conn, and the international Broadway star, Pia Douwes, to name a few.He teaches privately in his Nashville studio and via Skype. Ron is also a songwriter and jazz pianist. His solo jazz piano CD, In a Sentimental Mood, is available on iTunes and CD Baby.
Ellis Delaney
There’s just something about Ellis, who is at once funny and wise, thoughtful and uninhibited, with a captivating voice that is matched by their uplifting lyrics. Ellis has appeared on A Prairie Home Companion four times and has been voted “most-wanted-to-return” performer at festivals including Falcon Ridge Folk Festival, Moab Folk Festival, Kerrville, and Sisters Folk Festival. Ellis regularly receives h messages from strangers including, “you exude pure joy”, “I heard you and fell in love” and “I was stopped in my tracks by your music and captivating laugh” as well as “Yours is a voice we all need to hear.”
Ellis’ annual closing set on the Wildflower Stage is the last day of Folks Festival. Ellis is available for mentoring sessions and is interested in helping others to find their mission and artistic voice.
Terri Delaney
Terri Delaney is a Minneapolis-based social worker turned booking agent turned trauma therapist. After running a booking agency for many years, Terri then re-focused her career onto trauma therapy and helping people heal using mind-body approaches. She still collaborates with her spouse, contemporary folk musician Ellis, co-managing their record company Singing Crow Music.
Terri is a jane-of-all-trades, acting as vocal producer with Ellis in the studio and on-hand co-writer when needed, and teaching classes on time management, work/life balance, and nervous system regulation. Terri is known for her passionate commitment to helping artists reach their full potential and she is available for mentoring sessions during Song School.
Rebecca Folsom
Rebecca Folsom is an award-winning songwriter, a national touring performer, a teacher, and a coach of transformational creativity. Dubbed “The Creativity Shaman” Rebecca has been coaching individuals and groups in transformational creativity for over 27 years. She offers a toolbox of simple and potent embodiment exercises, both traditional and non-traditional to help singers/writers/performers open streamlined vocal, songwriting, and performance flow.
Rebecca is a national touring artist with 27 years of experience on the road performing for audiences ranging from 1 to 2 ½ million people. Along with being a prolific songwriter, she is also a published author of two books, and a fine artist with a Bachelor of Fine Arts degree.
Rebecca’s music is about liberation. Her agile voice traverses a four-octave range. KUNC describes her voice as “knock-you-to-your-knees.” The Daily Camera describes her music as “shining…with lush harmonies,” and Westword Magazine says, “Her songs hit like little earthquakes!” While her range is impressive, it’s the expression in her voice that rivets attention. She sings with both a simple storytelling purity along with a gritty blues prowess. Her voice pours from an inner spring, flowing with lilting tenderness to fully liberated, unbridled release.
Rebecca’s performances include Opryland, Red Rocks Amphitheater, and BBC Radio and Television, Kerrville Folk Festival, Falcon Ridge Folk Festival and Planet Bluegrass’s own Rocky Mountain Folks Festival. Sanctuary, her most recent single released in 2020 was a semifinalist in the International Songwriting Competition ISC. Her songs have charted at #1 on the National Folk DJ Charts, #4 on the National Americana charts, and multiple times top 40 on the National Americana/Country charts.
“I am delighted to assist people in breaking down inner barriers, freeing themselves to live in the bullseye of their dreams.”
Vance Gilbert
“If Joni Mitchell and Richie Havens had a love child, with Rodney Dangerfield as the midwife, the results might be something close to the great Vance Gilbert” – Richmond Magazine
Considered by many to be an integral part of the national folk scene - and one of the originators of the finally recognized R&B/Folk/Jazz crossover-sub-genre - this Boston-based stalwart was born and raised in the Philadelphia area. In 1992, Shawn Colvin invited him to be special guest on her Fat City tour. “With the voice of an angel, the wit of a devil, and the guitar playing of a god…”, swooned The Fort Worth StarTelegram about one of those shows.
Vance’s newest album, “The Mother Of Trouble”, features Grammy winner Lori McKenna on background vocals, Juno award recipient and Bonnie Raitt Grammy hit song co-writer Joey Landreth on guitars, and master mandolinist Joe K. Walsh, among others.
Gilbert has recorded 14 albums to date, including 5 for Philo/Rounder Records. He’s been the opener of choice for artists as varied as Arlo Guthrie, Anita Baker, The Milk Carton Kids, and Southside Johnny, and the mid 2000s found Gilbert opening 150+ shows for comic legend George Carlin!
He’s currently the regular opener for Mad About You/Stranger Things star Paul Reiser’s stand-up shows, and he maintains his own busy acoustic music touring schedule. He even has a tune on a Grammy-nominated children’s album. How rounded is that?
Arthur Lee Land
Lyons Colorado based singer-songwriter and multi-instrumentalist Arthur Lee Land is known for his joy filled, innovative live performances, his mad guitar and live-looping skills, Arthur’s hands are full theses days writing, recording and performing with multiple projects. First as a solo artist, you have his unforgettable one-man act employing the Art of Live-Looping to create his Electro-Americana BAND of ONE featured in his last studio album release Cracked Open featuring songs co-written by his wife and songwriting partner, clairvoyant lyricist Carol Lee. In late 2014, Arthur replaced Vince Herman of Leftover Salmon in the veteran Colorado Americana Jam-Band Great American Taxi.
The Arthur Lee Land TRIO is crushing it live and gearing up for a new original studio album. The TRIO’s unique Grateful Dead Tribute: Twang Is Dead has been a festival favorite. On top of all that, Arthur has been bringing his melodic guitar skills touring with String Cheese Incident’s keyboardist’s solo project the Kyle Hollingsworth’s Band, as well as the Elephant Revival family side projects featuring Daniel Rodriguez and Bonnie Paine that also became folk rock icon Donovan’s band for a headline festival slot in 2016. Other fun projects find him teaming up with Brain McRae’s gogoLab and Tyler Grant’s band Grant Farm for the “GRANTful Dead Revue.” Arthur’s Art of Live-Looping Educational Outreach Programs have reached 50,000+ students in 27 states and he’s been an advocate for Reframing ADHD as the gift of the “HUNTER” Brain Wiring. Arthur has been a member of the Song School instructor staff since 2003.
ArthurLeeLand.com | GreatAmericanTaxi.com | ArtOfLiveLooping.com
Clare McLeod
Clare McLeod, Harvard EdM, is an Associate Professor in the Voice Department at Berklee College of Music, where she is the principal author of the Minor in Teaching Contemporary Voice and Berklee Online’s Essentials of Teaching Contemporary Voice. A certified Estill Master Teacher, Clare also trained at the National Center for Voice and Speech, and is a member of the Voice Foundation, the National Association of Teachers of Singing and the Pan American Vocology Association. In addition to teaching at Berklee, she presents voice clinics regularly around the world and continues to contribute to developments in voice research.
Justin Roth
Justin Roth is a singer/songwriter, fingerstyle guitarist and teaching artist based in Fort Collins, CO. Acoustic guitar has been the root of his musical world since he was 17, after witnessing the expansive sonic palette of guitarist, Michael Hedges. As an artist, Justin weaves alternate tunings, partial capos, innovative techniques, effects pedals and more into his songwriting and performances. His guitar playing has been described as, ‘more than just an instrument, but an extension of himself.’ As a teacher, he loves to share his passion of getting the most out of your instrument, creating compelling guitar arrangements, and how to enhance your playing without complicating it.
Justin has toured with John Gorka and David Wilcox, as well as opened for some of the finest singer/songwriters on the acoustic music scene, including Shawn Colvin, Martin Sexton, Willy Porter and Darrell Scott.
Equally, his guitar playing has earned him shared stages with some of the greatest fingerstyle players, such as Tommy Emmanuel, Andy McKee, Billy McLaughlin and Pat Donohue. Justin’s self-produced and fan-funded album, Now You Know, was voted as one of the Top 100 Folk Albums of 2011, and has had songs featured on TV. “Fans of Leo Kottke or Michael Hedges will find themselves right at home with [Roth’s] intricate guitar work…beautifully written lyrics.” - San Francisco Art Magazine.
He also is a lead songwriter with Kid Pan Alley writing songs with kids in schools, a creator of YouTube guitar tutorials and transcriptions for viral music phenom, Jacob Collier, as well as an online teacher for TrueFire.com, JamPlay.com
Shanna in a Dress
Shanna in a Dress is a clever millennial who sucks at dating, a masterful storyteller, and as candid as it gets! Her show will take you on an emotional roller coaster with as many ups and downs as the hills she bicycled on her 2021 musical-bicycle tour across the US, “Tour de Dress.” Shanna’s quirky, fearless songs will make you laugh out loud, then punch you in the gut. This playful, witty free spirit from Boulder is a Kerrville New Folk winner, Falcon Ridge Folk Festival crowd favorite, and is one to watch as her career is taking off.
Her debut album Robot was released in May 2022 and she has graced the stage at Rocky Mountain Folks Fest, Kerrville Folk Festival, Black Bear AmericanaFest, and more. She recently relocated to Nashville and is maintaining every ounce of her Colorado hippie soul among all the country cowboy boots. Shanna is obsessed with neuroscience and mindset tools and brings that toolbox to the songwriting students she mentors to bring the encouragement that all her insecure artist friends need to KEEP CREATING!
Moira Smiley
Moira Smiley is a Grammy-nominated singer, composer, and educator renowned for her mastery of the voice and ability to inspire singers of all levels. Moira is a celebrated educator, teaching at leading musical institutions and inspiring singers of all backgrounds. She’s published over 100 choral works that are sung by millions of singers worldwide. With a deep respect for the cultural roles of singing, Moira blends teaching, composing, and performing to empower communities and celebrate the transformative power of music.
Known for her rich voice and dynamic stage presence, Moira has collaborated with some of the most celebrated names in music, including Tune-Yards, Eric Whitacre, Chris Thile, Hilary Hahn, and Morten Lauridsen. As a member of Tune-Yards, she has performed on major platforms such as Jimmy Kimmel Live, The Late Show with Stephen Colbert, and the UK’s Later… with Jools Holland. Recently, she performed & recorded for Chris Thile’s project ‘Attention!’ and Laurie Anderson’s ARK.
Amy Speace
“Amy Speace has one of the richest and loveliest voices in the singer/songwriter genre and her songs are luxuriously smart…she’s profoundly personal yet also a bit mythic. The imagery and the careful use of language is stunning and more evocative of classical poetry than most contemporary Americana peers” – Craig Havighurst, author & host of Nashville’s “Music City Roots”.
Baltimore born, NYC bred and Nashville based, Amy Speace has been making critical waves since Judy Collins discovered her in 2006, releasing “Songs For Bright Street” on Collins’ own Wildflower Records. A logical protégé to classic singers like Collins and Baez, Amy’s brand of folk comes with a bit of grit and soul.
Each release since her debut more personal, more crafted, her voice deepening with intimacy and authority. The critics followed with increasing notice. 2009’s “The Killer In Me” had NPR likening her to a younger Lucinda. 2013’s “How To Sleep In A Stormy Boat,” a song cycle conversation with Shakespeare’s characters, brought her national recognition with a feature on NPR’s “All Things Considered” and acclaim from famed rock critic Dave Marsh.
Her most recent release, 2015’s “That Kind Of Girl,” was lauded by The New York Times’s Jon Pareles and marked her 4th appearance on “Mountain Stage”. Judy Collins has recorded her songs, as well as the late Memphis Hall of Fame member Sid Selvidge and other folk and jazz artists. Just recently she released a trio record with Amber Rubarth and UK-based Emily Barker called Applewood Road, which got 5 star reviews in England including The Sunday London Times writing “a flawless set that has to be the most haunting release of the past year”.
But all this is not what she had planned. After graduating from Amherst College with a dual degree in English and Theater, she moved to NYC to study acting at The National Shakespeare Conservatory, fully intending on a career as a playwright, director and actress. She spent a few years doing just that: a member of a few classical repertory companies, a founding Artistic Director of Off-Off Broadway’s Five Points Theater Company – until a borrowed guitar and a spectacular break up led to her penning her first few songs. It was only a few years later that a demo of hers was brought to the attention of Judy Collins who was in search of talent for a fledgling record label.
Amy has taught performance and songwriting at Rocky Mountain Folks Fest Song School for over a decade and been on staff at The Kerrville Folk Festival Song School, Swannanoa Gathering, Sister’s Folk Festival & Americana Academy, Berklee College of Music (Summer Session), her own Songs From The Well Writing Retreats and is honored to work with Songwriting With Soldiers.
And many more still to be announced…