Acclaimed Grammy Award-winning mandolinist, singer, songwriter, composer, and MacArthur Fellow recipient of the prestigious “Genius Grant”, Chris Thile is a multifaceted musical talent, described by The Guardian as “that rare being: an all-round musician,” and hailed by NPR as a “genre-defying musical genius.” Thile is a founding member of the highly influential string bands Punch Brothers and Nickel Creek, and has collaborated with countless luminaries from Yo-Yo Ma to Fiona Apple to Brad Mehldau. For four years, Thile hosted public radio favorite Live from Here with Chris Thile (formerly known as A Prairie Home Companion). With his broad outlook, Thile creates a distinctly American canon and a new musical aesthetic for performers and audiences alike, giving the listener “one joyous arc, with the linear melody and vertical harmony blurring into a single web of gossamer beauty” (New York Times).

Over the last year, Thile has been touring with Nickel Creek in support of the critically acclaimed 2023 release Celebrants, and captivating audiences with a playfully ambitious biographical composition entitled ATTENTION! (a narrative song cycle for extroverted mandolinist and orchestra). Additionally, he has been focused on the production of a new musical variety show, “The Energy Curfew Music Hour.” Created with Claire Coffee and featuring Punch Brothers, season one is available on Audible and all podcasting platforms. Most recently, Chris debuted a new one-man show “The Manhattan Variations” in NYC’s Little Island about finding oneself in a little cocktail bar on the Lower East Side. 

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Olive Klug refuses to be put in a box. Working out who you are in front of an ever-growing audience is no small task, but one that the Portland-born, Nashville-based singer/songwriter is up for and thriving.

Olive graduated with a liberal arts degree shortly before the 2020 pandemic derailed their plans of pursuing a career in social work. Though they’d recorded and self-released the 2019 EP “Fire Alarm” from a childhood friend’s bedroom, up until early 2021, Olive categorized their music as either a hobby or a pipe dream, depending on who was asking. However, after being laid off of a teaching job in late 2020, Olive starting working as a barista and decided to commit all of their extra energy to an ever-growing community of fans online.

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Mountain Grass Unit, from Birmingham, Alabama, is a young quartet redefining bluegrass with a fresh narrative. Comprised of Drury Anderson (mandolin, vocals), Luke Black (guitar, vocals), Josiah Nelson (fiddle, vocals), and Sam Wilson (bass, vocals), they blend tradition with bold exploration. Their journey began with a shared musical passion, forming a sound that merges bluegrass with country, jazz, funk, rock, and metal influences. Their debut EP, “Runnin’ From Trouble,” released in 2024, showcases their original music and inventive covers, inspired by legends like Tony Rice and Billy Strings.

Recorded at Nashville’s Hartland Studios, and produced by Mike Harris (Old Crow Medicine Show), the EP captures their live energy. The leading single, “Hey Mama,” explores life’s transitions with inquisitive lyrics, while “Cicada Song” and “Smugglin’” highlight their funk and traditional sides.

2024 marked a turning point with performances at Renewal, DelFest and WinterWondergrass, broadening their audience and deepening their musical exploration. With plans for extensive touring, festival sets, and new music, Mountain Grass Unit is ready to share their luminous sound with the world, each performance a new chapter in their unfolding story.

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I’m With Her is a female folk trio comprised of Sara Watkins, Sarah Jarosz and Aoife O’Donovan. The group has been making music since 2014.

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The highly anticipated follow-up to their breakout 2022 self-titled debut, Thee Sacred Souls’ Got A Story To Tell (Daptone Records) features 12 all-original new songs, a soaring statement of exquisite craftsmanship from this young band from San Diego whose own story grows bigger by the day. Millions of monthly listeners on Spotify. Celebrity fans like SZA, Alicia Keys, and Kylie Jenner. An NPR Tiny Desk performance that burned the house down. And all in the first two years of the band’s existence. Then came life on the road.

Since 2022, Thee Sacred Souls have toured North America and Europe, playing their sweet soul music at dozens and dozens of sold-out headlining shows, and in the process they went from young musicians to a tight-knit, stress-tested band who knew each other like family. All the great bands were made better by life on the road, and Thee Sacred Souls is ready to join that pantheon. Got A Story To Tell is in every way a tighter and emotionally richer record because of their journey.

The challenges of touring resulted in a darker, more mature record, Alejandro Garcia (drums, guitar) says. Salvador Samano (bass, drums) agrees: “As we got busier, we were all dealing with things back home, trying to balance life and music and touring.” Heartbreak, family issues, finding ways to be creative when you’re leaving it all on the stage every night. Every member had their own experience, and no new development went undetected by their bandmates. “You can’t hide how you’re feeling,” Garcia says, of the intimacy of touring. “We know what’s going with each other.”

But it’s not as if the songs on Got A Story To Tell, which they began writing at the end of 2022, are accounts of a band on the run; there’s no “Turn the Page” here. Josh Lane (vocals) says all those emotions and personal stories from the three founders were sprinkled into the songwriting to create a potent blend of truth and imagination. In an age where pop stars have their albums treated like chapters in an ongoing memoir, Thee Sacred Souls hearken back to the more universal, relatable school of songwriting that made Hitsville U.S.A. and the Brill Building so successful and timeless.

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Gillian Welch’s rich and remarkable career spans over twenty-five years, and she and her musical partner David Rawlings are a pillar of the modern acoustic music world. They have been hailed by Pitchfork as “modern masters of American folk” and “protectors of the American folk song” by Rolling Stone.

After moving to Nashville in the early 1990s, Welch was launched into the public consciousness when Emmylou Harris recorded a cover of Welch’s “Orphan Girl.” Her career continued to flourish as her 1996 debut Revival, produced by T Bone Burnett, was released to critical acclaim. Firmly on the roots music map following the release, Welch followed up that GRAMMY nominated album release with 1998’s Hell Among The Yearlings, a stark duet record with Rawlings, further solidifying the duo as a force in the folk music scene.

For her work as executive producer as well as a performer and songwriter on the eight times platinum O Brother, Where Art Thou? soundtrack, Welch was awarded the Album of the Year GRAMMY, and was simultaneously nominated for her own Time (The Revelator) which Rolling Stone called one of the best albums of the 2000s and is widely considered by critics to be one of the best albums of all time. This release was Welch-Rawlings’ first on their own record label, Acony Records, helping to establish the duo’s fierce commitment to independent music.

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A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and magically to theirs, too. Weathervanes carries the same revelatory power. This is a storyteller at the peak of his cra?, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. He shrinks life small enough to name the fear and then strip it away, helping his listeners make sense of how two plus two stops equaling four once you reach a certain age — and carry a certain amount of scars.

“There is something about boundaries on this record,” Isbell says. “As you mature, you still attempt to keep the ability to love somebody fully and completely while you’re growing into an adult and learning how to love yourself.”

Weathervanes is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Life and death songs played for and by grown ass people. Some will make you cry alone in your car and others will make you sing along with thousands of strangers in a big summer pavilion, united in the great miracle of being alive. The record features the rolling thunder of Isbell’s fearsome 400 Unit, who’ve earned a place in the rock ‘n’ roll cosmos alongside the greatest backing ensembles, as powerful and essenEal to the storytelling as The E Street Band or the Wailers.

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DUG is the new musical venture of songwriter Lorkin O’Reilly and California native Jonny Pickett. Having spent the past decade in Upstate NY releasing albums and touring extensively, Conor (Lorkin O’Reilly) moved to Dublin in 2022 to start a new musical chapter.

Drawing inspiration from both Irish and American traditional music, DUG aims to create a transatlantic blend that reflects the musical heritages of both its members.

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Water Tower is the current moniker of multi-instrumentalist Kenny Feinstein’s musical brainchild, originally founded in 2005 in Portland. While their lineup has evolved over time, fueled by Feinstein’s masterful song-crafting, fiercely DIY approach, and genre-bending sonic identity, Water Tower have established themselves as a global force to be reckoned with.

Pioneers of a new wave of bluegrass and old-time with a distinctly punk rock flair, Water Tower take influences from Foghorn Stringband and Bill Monroe to Rancid and Black Flag, passing them through a unique lens that magnifies the individual strength of their core and auxiliary members while remaining faithful to the revivalist spirit.

In 2015, the band moved to LA, where their current lineup of Kenny Feinstein (lead vocals, guitar, fiddle, mandolin), Tommy Drinkard (banjo, vocals), Taylor Estes (bass, vocals), and Jesse Blue Eads (banjo, vocals) can often be found busking while not in the studio or on tour.

Since then, Water Tower have built major momentum, releasing a concept album Fly Around (ft. guest vocals from Black Flag’s Ron Reyes and produced by Don Bolles of The Germs), filming 1m+ view viral videos, and catching the eye of A-listers including Katy Perry, whose 2023 NYE party they played at, and Andy Frasco, who shouted out “Take Me Back”, the debut single from their album Live from Weiser. Most recently they have been writing for and backing up artists such as Nick Hexum (311) to Acacia Forgot (from Rupaul’s Drag Race).

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Why are there so many songs about rainbows? Better question: Why are there so many amazing songs by Rainbow Girls? The answer is that these ladies are remarkably talented, boundlessly creative, and wildly prolific. The California folk-rock vocal trio of Erin Chapin, Caitlin Gowdey, and Vanessa May were born to sing together, and their flawless three-part harmonies are going to take you to places where troubles melt like lemon drops.

The trio’s 2018 viral video cover of “Down Home Girl” caught the ears of millions, but their genre-mingling original songs—mellifluous, innovative, cathartic, witty—on 2017’s American Dream and 2023’s Welcome to Whatever prompted even more fans to start chasing these Rainbows.

Then last year, the three multi-instrumentalists heralded a whole new hoodoo with the bewitching, sonically expansive Haunting. So the dreams that you dare to dream really do come true: You’re here in Telluride on a Friday afternoon for a breathtaking, instrument-swapping, vocal-braiding Rainbow Girls set. You won’t want to find the end of it.

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Born in Wheeling, West Virginia in 1954, Grammy winning singer songwriter and multi-instrumentalist Tim O’Brien grew up singing in church and in school. After seeing Doc Watson on TV, he became a lifelong devotee of old time and bluegrass music. Tim started touring nationally in 1978 with Colorado bluegrass band Hot Rize. His songs “Walk the Way the Wind Blows” and “Untold Stories” were bluegrass hits for Hot Rize, and country hits for Kathy Mattea. Soon more artists like Nickel Creek, Garth Brooks, and The Dixie Chicks covered his songs. Over the years, Tim has collaborated with his sister Mollie O’Brien, songwriter Darrell Scott, and noted old-time musician Dirk Powell, as well as with Steve Earle, Mark Knopfler, Dan Auerbach and Sturgill Simpson.Living in Nashville since 1996, O’Brien’s skills on guitar, mandolin, fiddle, and banjo make him an in-demand session player. The International Bluegrass Music Association awarded him song of the year in 2006 and named him best male vocalist in 1993 and 2006. He was inducted into the West Virginia Music Hall of Fame in 2013 and into the Colorado Music Hall of Fame in 2022.Notable O’Brien recordings include the bluegrass Dylan covers of “Red on Blonde”, the Celtic-Appalachian fusion of “The Crossing”, and the Grammy winning folk of “Fiddler’s Green”. His duet recording “Real Time” with Darrell Scott is a cult favorite, and he won a bluegrass Grammy as part of “The Earls of Leicester”.

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Punch Brothers, formed in 2006, are a virtuosic quintet featuring mandolinist Chris Thile, guitarist Chris Eldridge, bassist Paul Kowert, banjoist Noam Pikelny, and violinist Brittany Haas. Known for pushing the boundaries of acoustic music, the band has garnered critical acclaim, including a Grammy for Best Folk Album for All Ashore (2018). The Washington Post applauded them for taking “bluegrass to its next
evolutionary stage, drawing equal inspiration from the brain and the heart. Over the years, they’ve become pioneers in modern string music, with albums like Antifogmatic (2010), Who’s Feeling Young Now (2012) and The Phosphorescent Blues (2015) showcasing their genre-defying sound. Rolling Stone praised their work as “wild virtuosity used for more than just virtuosity,” cementing their reputation as trailblazers in contemporary acoustic music. Most Recently, Punch Brothers have been focused on their new musical variety show, “The Energy Curfew Music Hour,” with season one available on Audible and all podcasting platforms.

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Throughout his 30+ year career, Dan Tyminski has left his mark in every corner of modern music. Tyminski’s voice famously accompanies George Clooney’s performance of the Stanley Brothers’ Classic song, “I’m A Man of Constant Sorrow,” in the film, Oh Brother, Where Art Thou and his vocal collaboration with Swedish DJ Avicii on the song “Hey, Brother” was a global smash, having been streamed over 1 billion times to date.

Dan has also contributed guitar and/or harmony to projects by Martina McBride, Reba McEntire, Brad Paisley, Dolly Parton, Willie Nelson, Kenny Chesney, LeAnn Rimes, Aaron Lewis and Rob Thomas, to name a few. In addition to his highly successful solo career, Dan Tyminski has played guitar and mandolin for Alison Krauss and Union Station since 1994. His unmatched instrumental skills and burnished, soulful tenor voice have been key components of the band.

Dan has been honored with 14 Grammy Awards, was named Male Vocalist of the Year by the International Bluegrass Music Association 4x and was recognized as 2004’s Male Vocalist of the Year by the Society for the Preservation of Bluegrass Music in America.

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Lake Street Dive have pushed the possibilities of pop music as a unifying force, not only through their eclectic sound—a boldly original cross-pollination of soul, folk, jazz, classic pop, and more—the five-piece’s all-embracing ethos has also made them a beloved live band known for building a potent connection among every crowd. In the making of their new album Good Together, vocalist Rachael Price, bassist/background vocalist Bridget Kearney, drummer/background vocalist Mike Calabrese, keyboardist/vocalist Akie Bermiss, and guitarist/background vocalist James Cornelison reinforced the deep sense of purpose behind their output, often turning their attention to the many factors driving us apart today (e.g., unchecked technological growth, culturally imposed isolation, the cult of relentless self-optimization). Born from a mindset they refer to as “joyful rebellion,” Good Together arrives as a body of work both gloriously defiant and primed to inspire unbridled dancing and ecstatic singing-along.

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Since their 2000 formation in Kalamazoo, MI, the quintet—Anders Beck [dobro], Michael Arlen Bont (banjo), Dave Bruzza (guitar), Mike Devol (upright bass), and Paul Hoffman (mandolin)—have unassumingly progressed into a phenomenon on their own terms with the undying support of a devout audience. Rolling back and forth across North America on successive tours, they recently sold out 3 nights at Red Rocks, a feat unheard of in their genre. During 2019, All For Money marked their second #1 debut on the Billboard Top Bluegrass Albums Chart and third straight Top 3 entry. They’ve also earned critical acclaim from Billboard, Parade, NPR, and Rolling Stone who hailed them as “representing the genre for a whole new generation.”

As always, the band embrace tradition, while ushering bluegrass forward on their eighth full-length offering, Stress Dreams.

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From the bar at the Peach Street Distillery to the Main Stage at Telluride, Still House String Band is a true Coloradan bluegrass band. They are as comfortable playing Appalachian and Nashville standards as they are playing jam grass and covering Bruce Springsteen. Their original songs tell of modern love, heartbreak, and the scenery of the high Colorado desert that they call home. With the wind at their back and friends along the way, the sky’s the limit for this group of original performers.

It’s a long way from here to over yonder, you should hitch a ride with Still House String Band.

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Dust off your boots and gather around for some true and original modern honky tonk music. An all-star cast of master musicians backs these two soul singers of country music, Caleb Klauder and Reeb Willms. These two are known to roots music fans across the globe for their soulful harmonies, driving dance tunes, classic original songs, and commitment to the raw truth of rural American music. They live in the San Juan Islands of Washington, though until recently, home was Portland, OR.

They are foundational to the exceptional old-time and country music scene in the Pacific NW with the Caleb Klauder Reeb Willms Country Band and their membership in the Foghorn Stringband, of which Caleb was a founding member. Charismatic performers, they bring their unique set of talents to the stage with an eye towards good times and an ear towards the deepest songs and tunes.

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Banjo. Drums. Harp. Huh? To be sure, the new all-star trio of Béla Fleck, harpist Edmar Castañeda and drummer Antonio Sánchez features instrumentation that might safely be called uncommon. Unless, of course, you’re already familiar with 18-time Grammy-winner Fleck – the genre-blurring virtuoso who has done more to expand the possibilities of the banjo than any other player in the instrument’s history. From his bluegrass beginnings through his otherworldly Flecktones, his duo with Chick Corea and his reimagining of Rhapsody in Blue, Fleck’s work never fails to surprise.

What doesn’t surprise is the impeccable caliber of his collaborators – and this new trio includes two of the most gifted musicians of their generation. The harpist, Casteñada, hails from Bogotá, Colombia, and has led his own bands in addition to sharing projects with such masters as Hiromi, Paquito D’Rivera and Grégoire Maret. 5-time Grammy-winner Sánchez grew up in Mexico City and built a reputation as one of the great jazz drummers through his work with guitarist Pat Metheny, while his Golden Globe-nominated drum-set score for Alejandro González Iñárritu’s 2014 film Birdman earned him renown far outside the jazz world. Playing original repertoire, much of it collaboratively written, this trio embarks nightly on fearless explorations that audiences will find irresistible – rich with strong melodies, gorgeous harmony and grooves that twist and turn while feeling fantastic. 

Yonder Mountain String Band, a driving force in roots music for nearly three decades and a key player in the progressive jamgrass movement, kicks off a new chapter with Nowhere Next. Featuring original songs inspired by lived experiences, people, and places that have shaped them, the album is a mix of bluegrass, indie rock, and country with soulful, funky grooves that call for a good time. Their 11th studio album follows the Grammy-nominated Get Yourself Outside (2022), adding depth and momentum to Yonder’s rich musical legacy.

Nowhere Next showcases the musical talents and collaborative writing efforts of founding members Adam Aijala (guitar, vocals), Dave Johnston (banjo, vocals), and Ben Kaufmann (bass, vocals), alongside multi-instrumentalist Nick Piccininni (mandolin, banjo, fiddle, vocals), a five-year veteran whose contributions as a singer and instrumentalist shine throughout the record. Together, they co-wrote nine of the eleven tracks, artfully blending their unique perspectives and vocal ranges to give each song its own distinct character. Coleman Smith (fiddle) makes his studio debut, adding a vibrant layer that complements the band’s overall dynamic. Grammy-winning Dobro legend Jerry Douglas brings his signature style to three standout tracks: “Here I Go,” “Wasting Time,” and “Didn’t Go Wrong.”

Produced by Yonder Mountain String Band, Nowhere Next brings together the unique voices and visions of each member, where their contributions resonate with a shared openness. This collective synergy forges a powerful bond within the band, making each track feel both grounded and alive with their connection. Edgy, heartfelt, and full of surprises, Nowhere Next stands out as one of Yonder’s most compelling albums yet, inviting listeners to experience the band at their most vibrant and unrestrained.

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Kasey Chambers is an Australian country music artist whose distinctive voice, heart-felt lyrics and world-class performances have earned her the rightful position of one of the most popular and acclaimed artists of her generation at home, whilst winning a devoted cult following around the rest of the world.

Hailed as bringing Australian country music into the mainstream, Kasey has won 14 ARIA’s, 24 CMAA Golden Guitars, 10 APRA songwriting awards; her 12 albums have sold more than 14 x platinum and include 5 x No.1 albums and her No.1 single ‘Not Pretty Enough’.

In 2018 Kasey’s exceptional career was honoured by being the youngest female ever to be inducted into the ARIA Hall of Fame. With a career spanning over 25 years Kasey continues to inspire with her trademark authenticity and unwavering commitment to her craft.

Most recently, Kasey has released a new book ‘Just Don’t Be A Dickhead’ (Hardie Grant Publishing) and a new album Backbone which debuted at #1 on the ARIA Australian Album Chart and Country Albums Chart. Its title track currently is nominated for 4 x CMAA Golden Guitar Awards, and Kasey has announced a huge 30-date Australian tour for 2025.

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There was only one prize-winning teenager carrying stones big enough to say thanks, but no thanks to Roy Acuff. Only one son of Kentucky finding a light of inspiration from Bill Monroe and his Blue Grass Boys and catching a fire from Bob Marley and The Wailers. Only one progressive hippie allying with like-minded conspirators, rolling out the New Grass revolution, and then leaving the genre’s torch-bearing band behind as it reached its commercial peak.

There is only one consensus pick of peers and predecessors, of the traditionalists, the rebels, and the next gen devotees. Music’s ultimate inside outsider. Or is it outside insider? There is only one Sam Bush.

“With this band I have now I am free to try anything. Looking back at the last 50 years of playing newgrass, with the elements of jazz improvisation and rock-&-roll, jamming, playing with New Grass Revival, Leon, and Emmylou; it’s a culmination of all of that,” says Bush. “I can unapologetically stand onstage and feel I’m representing those songs well.”

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Paul T. Riddle, co-founder/drummer and Grammy Award winner of the original Marshall Tucker Band, formed The Toy Factory Project in memory and celebration of MTB co-founder Toy Caldwell and his songs.

It is a band of giants honoring Caldwell’s music.

Most songs are short lived. A few, such as songs by Caldwell, performed and recorded by the original MTB, live on and on. Crossover hits like “Can’t You See,” “Heard It In a Love Song,” “Searching For a Rainbow,” and “This Old Cowboy,” to name a few, earned the MTB a place in the hearts of millions of MTB fans, changing a generation, and becoming southern rock royalty.

In addition to Riddle, The Toy Factory Project is:

• Grammy nominated lead vocals/guitarist Marcus King (The Marcus King Band)
• Grammy winning bassist Oteil Burbridge (Dead & Company, The Allman Brothers Band, Oteil & Friends)
• Lead vocals/guitarist Charlie Starr (Blackberry Smoke)
• Keyboards/vocals Josh Shilling (Mountain Heart, Wynona Judd)
• Violinist/Fiddler Billy Contreras (Lionel Hampton, George Jones, Zach Bryan, Ricky Skaggs, Bela Fleck)

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More info coming soon!

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A century of forgetfulness and erasure has led to diminished public awareness of the Black string band tradition – and equally diminished numbers of Black string bands. Once numerous, these ensembles have grown few and far between. In recent decades, only one Black string band has emerged per generation. The 1980’s saw the birth of the Ebony Hillbillies. Nearly three decades later, the Carolina Chocolate Drops formed and took the tradition to new heights. As of 2023, a new Black string band has emerged to carry the torch: New Dangerfield.

New Dangerfield was originally conceptualized by award-winning bluegrass banjoist Tray Wellington, who enlisted three other acclaimed Black roots musicians: multi-instrumentalist and vocalist Kaïa Kater, bassist Nelson Williams (Chris Jones & the Night Drivers), and fiddler and singer Jake Blount. The band debuted at IBMA Bluegrass Live! and received a standing ovation for their set at the Red Hat Amphitheater. Irrepressible and adventurous from the start, the band is musically versatile and charismatic.

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Ken Pomeroy will break your heart. She’ll do it with a single line––sometimes, just one word. The pain begins as an empathetic ache. Then, as Pomeroy sings her stories, you begin to see yourself in her hurt and hope. And you realize: We’re in this together. 

Pomeroy’s outstretched hand to the wounded manifests as startlingly good songs. Her soprano is comforting––almost sweet––but perhaps most powerful delivering a devastating line. A deft guitarist, she opts for beds of rootsy strings that can soothe or haunt. But it’s her writing that really shines and stings. “Writing was and is the only way I can fully express an emotion and feel like I got it out,” she says. “I feel like once I get it out into a song, I don’t have to worry about it anymore. If it’s a traumatic thing that happened, I kind of act as if it’s gone.”Pomeroy creates a wild but safe space of her own––a space that, like 22-year-old Pomeroy herself, is brutally honest, proudly Native American, and undeniably brilliant.

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“just saw THE REBIRTH BRASS BAND, unbelievable. hard as hell, free as a ray of light, there is not a band on earth that is better. stunning.” - Flea, Red Hot Chili Peppers

For almost 4 decades, the Grammy winning Rebirth Brass Band has been “stunning” fans with a fiery live show and a rich musical catalog. Their trademark sound pays homage to the New Orleans brass band tradition while weaving a tapestry that combines elements of jazz, funk, soul, R&B and the sounds from the streets they grew up on. From their legendary 25+ year run of Tuesday nights at the Maple Leaf to stages all over the world, Rebirth is the soundtrack of the Crescent City and her premier musical ambassador.

Founded by brothers Phil and Keith Frazier over 35 years ago, Rebirth began their career playing on the sidewalks of the French Quarter, and quickly landed gigs at second line parades. Those auspicious beginnings have led to thousands of shows to music aficionados everywhere, including heads of state and royalty.

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Please welcome Chris Eldridge (not pictured) to our House Band!

Raised in Sunnyside, WA, Zach Top grew up on classic country music around the family farm. At the age of seven, he formed a band with his siblings which set the stage for his musical ambitions.

Hailed by Rolling Stone as one of the “hottest acts right now,” Top is quickly establishing himself as a preeminent artist to watch. Released to widespread acclaim, his debut album, Cold Beer & Country Music, garnered over 3.5 million streams in just its first week with The Tennessean declaring it full of “star-making tunes” and Country Central calling it a “masterclass in traditional country music.” In 2024, he was awarded Discovery Artist of the Year at the MusicRow Awards and received his first nomination for New Artist of the Year at the 58th Annual CMA Awards. Known for his “thrilling” live performances (Holler), Top’s “Cold Beer & Country Music” headline tour sold out just hours after tickets went on sale, coinciding with the debut of his viral single “I Never Lie” on the Billboard Hot 100 chart. This summer, Top has been on Lainey Wilson’s “Country’s Cool Again” tour and will be direct support for select Alan Jackson dates in 2025.

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For nearly four decades, Alison Krauss & Union Station have upheld their legacy as one of the most influential and widely celebrated acts in bluegrass and roots music. Known for an immaculately crafted but endlessly surprising sound that transcends the boundaries of roots, country, rock & roll, and pop, Alison Krauss & Union Station are putting the finishing touches on a new album to be released in 2025 - their first album since the 2011 masterpiece Paper Airplane—a critically lauded, multiple Grammy Award winning LP that debuted at #1 on the Billboard Country, Bluegrass, and Folk Album charts. Over the years, Alison Krauss & Union Station have brought their phenomenal live show to sold-out performances at famed venues like Red Rocks Amphitheatre, The Greek Theatre, Radio City Music Hall, and London’s Royal Festival Hall, in addition to supporting Paul Simon in Hyde Park for his 2012 Graceland reunion. They now gear up for their first tour together since 2015.

The players – Alison Krauss (fiddle, lead vocal), Jerry Douglas (Dobro, lap steel, vocals), Ron Block (banjo, guitar, vocals), Barry Bales (bass, vocals), and welcoming highly acclaimed and celebrated tenor vocalist Russell Moore (guitar, mandolin, lead vocal) as the newest member – are five distinct personalities, each of whom enjoys a flourishing solo career. But when they come together, they transform into a peerless group of musicians who share a singular focus.

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